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Hi! Multifandom addict here. Movies, shows, books, games. Throw them all! I love SPACE!

wintery-star:

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The Witcher đŸș
By Stephanie Pepper

piwowarczukart:

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“
 But if there is, then you’ve condemned yourself. Condemned yourself to me.” 💜

Nie umiem przestać ich uwielbiać, nawet rysowanie nie pomaga


ughmerlin:

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#king of ending conversations and escaping uncomfortable situations

THE WITCHER | 3x05 “The Art of Illusion”

skulandcrossbones:

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You know Ted, pinball’s a lot more fun if you use an actual ball.
Yeah well I, you know, I was letting Coach and my mom catch up a little, is all.

portlandrowismyhome:

So i was just thinking about my earlier lockwood post joking that his favorite hobby is asking Lucy if she’s okay, and the amazing @ikeasupremacy commented that he does it because Lucy doesn’t tell people when she’s not okay. and I realized 


Lockwood doesn’t either. He does his absolute best to never show fear or doubt. He tries to never let on that his mental health is actually horrible.

he tries to do the things that no one ever did for him. he reassures Lucy constantly – I have a plan, I’ll take care of it, you’re not alone, you’re safe, we’re right here – saying all the words he longed to hear for years and years. He protects and cares for her the way no one did for him, the way he barely can for himself. He’s filling the gap in his own heart. he never wants Lucy to have to feel like he did. he knows what it’s like to feel horribly, desperately alone, and he’s going to do his best to make sure she never does. he’s going to fight for her, even though he had no one to protect him or defend him.

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Originally posted by tessxblxckthorn

for years he felt as though there was no one to care if he did disappear one night. there was no one to offer a trade, no one to willingly undergo pain for his survival. he never felt like he mattered that much.

and every are you okay? is a you matter to me. I care.

and now I’m crying. great.

anya-chalotra:

You never gave me piggyback rides at Kaer Morhen, you know. Vesemir was the only one willing. Had to wait till now to remind me? You’ve put on some weight since Kaer Morhen.

THE WITCHER 3: WILD HUNT (2015) dev. CD Projekt Red
THE WITCHER: SEASON THREE (2023) cr. Lauren Schmidt Hissrich

tedlassogif:

I was open to pain and crossed by the rain
And I walked on a crooked crutch
I strolled all alone through a fallout zone
And came out with my soul untouched.

thenegoteator:

3 panels of a comic based on the poem "One Art" by Elizabeth Bishop. Panel one is a redraw of the scene in The Clone Wars movie where Anakin accepts Ahsoka as his padawan. They are looking at each other and smiling, sitting in Christophsis. A text box reads: "The art of losing isn't hard to master." Panel 2 shows Ahsoka, lit up by a spotlight with her saber out and in a fighting stance. We see her over the shoulder of Anakin's shadowy figure. The visual implication is the training scene from Tales of the Jedi. One text box reads "so many things seem filled with the intent" and another reads "to be lost". Panel 3 shows Ahsoka, now in her season 7 look, saluting over a dark blue background. She looks firm and confident. A text box reads "that their loss is no disaster".ALT
Two panels of the same comic. One panel, in warm tones, shows Ahsoka in her season 3 look in the foreground. She is cross-legged on the floor, holding her saber loosely with one hand and resting her chin on her other hand. She looks annoyed. In the blurry background we see a doorway where Anakin is smiling and talking with Padme. A text box reads "Lose something every day. Accept the fluster of lts doorkeys," and another reads "the hour badly spent". The second panel shows a younger Anakin, in his Clone Wars movie look, brooding as he walks through the desert. Ahsoka, also younger (but in her tales of the jedi outfit because I hate the tube top) is craning to see his expression. They are passing by large bantha ribs which cast long shadows. A text box reads "The art of losing isn't hard to master."ALT
Four panels of the same comic. The first panel shows Anakin bowed over a holographic map of the stars, in his season 5 look. A text box reads "Then practice losing farther". The second panel shows Ahsoka in her hunger games era, holding the padawan who died while she was put in the death trap planet after being abducted. They are cast in beams of light, the padawan leaning against a large gnarled tree trunk. Ahsoka looks sad and terrified. The text box reads "Losing faster,". The third panel shows Anakin sprinting through a deserted but peaceful looking Jedi temple. He is running into the shadow of a large column, towards the exit. Three text boxes read "places," "names," "and where it was you meant to travel." The fourth panel shows Ahsoka and Anakin hugging over a sunset, in their season 5 looks. This whole section of the comic hearkens back to the look of the Padawan Lost episodes of TCW. The text box reads "None of these will bring disaster."ALT
Three more panels of the same comic. The first panel shows Ahsoka's padawan beads lying on Anakin's outstretched hand, over a warm swirly background. The text box reads "I lost my mother's watch." The second panel shows Ahsoka and Anakin from their meeting in season 7, zoomed out, facing each other. They are bathed in light, but Anakin is half-turned towards a dark doorway. They are both smiling. One text box says "And look! The last," and the other says "or next-to-last,". the third panel shows the disaster trio (Ahsoka, Obi-Wan, and Anakin) looking happy and carefree. Anakin has one arm around Obi-Wan and one hand on Ahsoka's montrals. she has an arm raised as if to push his hand off. They seem to be on a green planet, with the ramp of a spaceship in the background. One text box says of three loved houses" and the other says "went."ALT
One panel of the same comic. We see Ahsoka in her mechanic outfit, sitting on the edge of a platform in the lower levels of Coruscant. Turquoise light shines below her feet. She is looking up, a bit melancholy. The text box reads "The art of losing isn't hard to master."ALT
5 panels of the same comic. First panel shows the bit of the Jedi temple that has the tree and the courtyard, but it's dark and the tree is on fire. There is rubble and blaster burns around, and the slumped figure of a dead Jedi fallen into the frame. the text reads "I lost two cities, lovely ones." Second panel shows a half-buried clone helmet with Ahsoka's face markings painted on it and a half-buried lightsaber next to it. The landscape is gray and desolate. The text reads "And, vaster". Third panel shows a flag unfurling over a gray background. It is bright red, with an imperial cog logo on it. The text reads "some realms I owned". Fourth panel shows Padme's torso , with her legs and head offscreen. She is standing in her funeral gown, with her hair in her funeral do, with one hand outstretched. There is choppy, abstract, stylised water pouring out of the hand. The text reads "two rivers, a continent." Fifth panel shows a side profile of Darth Vader in his mask. He is looking at his saber which bathes him in red light, with bright pink back lighting showing on his helmet. The text says "I miss them, but it wasn't a disaster."ALT
Slightly bigger, final digital painting. Ahsoka and Vader from the "Twilight of the Apprentice" fight. Ahsoka is small, her eyes wide and somewhere between angry, scared, and sad, and her sabers are unlit. Her shoulders are pulled up as if to spring into action. We see her looking over Vader's shoulder: his cape is flowing dramatically, and his saber is lit.ALT

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

– ‘One Art’ by Elizabeth Bishop

you ever think about how after everything Ahsoka told Vader “I’m not leaving you” and it wasn’t enough

queenofinys:

MAY THESE MEMORIES BREAK OUR FALL

skulandcrossbones:

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So long, farewell.

TED LASSO (2020-2023)